Henry: When this year started off with a trip over to the Netherlands for the Rotterdam Film Festival, getting to go to the BAFTA’s, and getting that accreditation for Cannes, all while finally having found the groove with the site, it seemed like it was about to be the best year for film yet. Then…
Ever since he traumatized children across the globe with The Polar Express and its monstrous motion capture computer-generated images, Robert Zemeckis has used his influence and power in Hollywood to make one visual effects extravaganza after the other. Somehow, despite the fact that these projects usually end in financial loss (Beowulf, A Christmas Carol, Welcome…
Cinema Etc. 